IF BLOGGERS:


Mikaela Du Pomzamparc
Graduate Academy of Finland.
Area of specialty: Thawing the frozen poetry of architecture. Light, space and the materials of utopia.
Member of Imaginary Foundation since 1978



Pierre Mâché
Baccalauréat Lausanne University
Area of specialty: Exploring the horizon of the human imagination, Assistant to the Director since 1993



Isadore Muggli
Bauhaus Drop out
Area of specialty: Stimulating the neural mechanisms of visual perception. IF Co-ordinator of optical consistency since 1976




Kamilla Rousseau
Groupe de Recherche Musicale
Area of specialty: Chaotic harmony, cultivated disorder and the atonal structure of infinite beauty. Imaginary since 1978



Neville Bennette
Professor Emeritus Saint Petersburg State University
Area of specialty: Experimentally demonstrating the elaborate logic underpinning nature's awesome machinery. At the IF since 1991.




Everett Ruskin
MA of Octameter Odes Stanford
Area of specialty: Surfing the undulating waves of novelty reflected downstream from the impending Singularity.
Welcomed into the Imaginary Foundation 1981



"Bonkers" Bainbridge
Elongated sabbatical
Area of specialty: Profound absurdity and the ever multiplying wisdom of the cosmic joke.
Estranged from the Imaginary Foundation 1974 reunited 1998



Rufus Daintree
Oxbridge expulsion committee
Area of specialty: Examining the interplay of cultural and biological evolution through the lens of the metabolic metaphor.
Enchanted by the imagination since the dawn of the Foundation.



Prof. Harold Rass
Graduate Kingston Institute of Higher Education,
Area of specialty: Applied vapor research and it's coextending cosmic implications.
Associate Imaginary Foundation 1982




Andre Garnier
L’Université Paris Descartes
Area of specialty: Anticipatory rearrangements of tomorrow via the wealth of yesterday's experience.
With Imaginary since 1979




The Director
Graduate University of Zürich
Area of specialty: Deep Pattern Structures, Conciousness and the Articulation of the Possible.
Founder of Imaginary Foundation, 1973.


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Artist Caleb Larsen's radically thought-provoking A Tool to Deceive and Slaughter (2009) is an extraordinarily profound multimedia work that questions the relationship of media, culture, technology and commerce. Although Minimalist in form, its content is complex and interactive. Within the black acrylic cube lives a device that allows the box to perpetually attempt to sell itself on eBay. Every 7 days, the box begins a new auction and monitors the bidding progress of each auction. Larsen's experience with scripting programs and open-source codes is vital to the success of the work, as it continues to independently sell itself online. The artist's stringent purchase agreement for bidders (listed on the eBay page) provides a structure that protects the box's ownership rights, but can also lead to great profit for both the "collector" and the artist.